We work with a wide range of popular cameras to deliver the most precise picture profiles available.
We then use those profiles to match to your chosen film stocks to create a stunning and accurate result. Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles. Do we support your camera? Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.
Learn more. With the majority of people shooting on digital these days, film makers are striving to achieve the desirable qualities of film stocks when grading in post. Often, this requires a good team of colorists, however we bridge that process for everyone! Learn about our film stocks. LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.
You can export your grade as a. You cannot currently export. Choose from our range of precise Camera Profiles, matched to your camera. Industry leading quality grain, scanned at 6K to give the best results. Motion and Photographic. Koh Yao Noi is one of the least developed islands in Thailand despite being right in the middle of the most touristic bay there.
It's a little haven of real Thailand with just 18km of roads. ProTune setting within the camera helps a lot, but I needed to do a lot more work to make it look as filmic as possible. This setting is required in order to apply the correct color correction. Exposure Performs an adjustment prior to the film emulation being applied. Temp Adjusts the color temperature.
This assumes that the clip temp is daylight. Moving the slider to the left makes the scene cooler. Moving to the right makes it warmer. Note for RED footage. You should apply our metadata preset in the Adobe provided Source Settings interface. This preset merely resets all metadata settings to their default, thereby giving FilmConvert a known starting point for color adjustments.
Convert To drop down Selects the particular film stock to be emulated. Size drop down Selects the negative size to emulate. Smaller values such as 8mm are fuzzier with larger grain.
Larger values have smaller grain. Film Color slider Adjusts the balance between the original digital camera color palette, and the film color palette. Setting the slider to 0 with the color slider at will give you the hue and saturation of the film stock, with no change to the luminosity. Grain slider Adjusts the amount of grain applied to the image. Some stocks have more grain - such as D Drag the white knob around the circle to add color. Sliders The sliders adjust the image by adding or removing brightness in the manner described above.
Adjustments happen before the color wheel adjustment - so you can use these sliders to control how much of the image is in the upper highlight area before applying the color cast to it. Saturation slider will saturate or de-saturate the image. Levels Graph Graph shows the relative amount of luminosity in each color band. Dark images will show larger values on the left side of the graph, bright images on the right side.
Clipping indicators To the left and the right of the graph, these bars show up when you have pure black or pure white in your image. Black, mid, white sliders Use these to set the clipping point for black and white, and where the mid point grey lies.
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